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Louise Homer Caruso - Aida

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tomfroekjaer Says:

Apr 14, 2008 - Wonderful ! Thanks for posting!

josetteattuel Says:

Aug 7, 2008 - Enrico CARUSO RESTE LE PLUS GRAND ET JAMAIS EGALE

HappyHounde Says:

Nov 1, 2008 - They have very similar voices. The blend is great. Thank you for posting.

comey717 Says:

Jan 28, 2009 - She keeps up Caruso so well.

operagodess78 Says:

Apr 25, 2009 - She almost blows him away!

jfsanin Says:

May 4, 2009 - Many times I have thought that the main personage of Aida, is not Aida or Radames, but Amneris. Great.jfsanin

paulostroff99 Says:

Jun 1, 2009 - Glorious singing! Bravo! Brava! TY.

robertwbecker Says:

Jul 14, 2009 - WOW!!!!! They bring out best in each other! Great recording,,, wonderful post!!! Thanks!!!

bodiloto Says:

Aug 8, 2009 - + 100 !!!! IMMORTALE CARUSO !!!!

TrebleLover Says:

Aug 13, 2009 - Exquisite! Five stars

kmillard Says:

Sep 1, 2009 - Geeeze, what I would give to have Caruso record in the electronic era listen to the insane squillo at 3:05 and then he REALLY scorches one at 3:18 to 3:20 !!!!

kmillard Says:

Sep 1, 2009 - Oops... He finds another one in his wheelhouse and hits it out at 5:50 !!

Video Details

Added: Feb 23, 2008 By: maldoror26

Duration: 6:36

Channel: Music

Verdi, Aida Louise Homer (1871 - 1947) american contralto Enrico Caruso (1873--1921) italian tenor She was born Louise Dilworth Beatty in Pittsburgh and studied music at Philadelphia and Boston, then married the composer Sidney Homer in 1895 and went to Paris, where she studied singing with Fidèle König and Paul Lhérie (who had been the first Don José in Bizet's Carmen). Louise made her operatic debut as Léonore in Donizetti's La Favorite at Vichy in 1898. She sang Amneris and Lola at Covent Garden and was Ortrud and Maddalena in Brussels. Her American debut was with the Metropolitan Opera in 1900 where her first role was Amneris. During a very successful and long lasting Met career, she appeared at first mainly in Italian and French operas, but soon adding Wagnerian roles to her repertory. She created the Witch in Humperdinck's Königskinder in 1910 and was a notable Orfeo in Toscanini's revival of Gluck's opera in 1909. After resigning from the Met in 1919, she sang with other major American companies (San Francisco, Chicago, Los Angeles). Her last appearance at the Met was as Azucena in 1929.

Rating: 4.9411764' max='5' min='1' numRaters='17' rel='http://schemas.google.com/g/2005#overall ( ratings)

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Tags: classical louise homer contralto verdi aida opera aria enrico caruso tenor